The exhibition's formal language borrows deliberately from devotion and wonder. Reliquary cabinets and Victorian curiosity-cabinet forms lend the visual grammar of the sacred to ordinary queer intimacy, while embedded video animates archival photographs so their sitters seem to live and breathe in the here and now. The Resurrections series is central to this: glass reliquaries that restore small, tender moments, a glance, a touch, a companionship, to men and women whose lives required concealment. Other works, from a mirrored sphere reclaiming the word "woke" to a hand-worked crown made with trans youth honoring Marsha P. Johnson, turn the question of acceptance over from many angles at once.